CORDONS
Wednesday, 17 October 2012
CORDONS
Wednesday, 10 October 2012
"At times it really does seem to me as if the whole of society were still in the Cairo opera house to celebrate the inexorable advance of Progress. Christmas Eve, 1871. For the first time the strains of the Aida overture are heard. With every bar, the incline of the stalls become a fraction steeper. The first ship glides through the Suez Canal. On the bridge stands a motionless figure in the white uniform of an admiral, observing the desert through a telescope. You will see the forests again, is Amanoroso's promise. Did you also know that in Scipio's day it was still possible to travel from Egypt to Morocco under the shade of trees? The shade of trees! And now, fire breaks out in the opera house. A crackling conflagration. With a crash the seats in the stalls, together with all their occupants, vanish into the orchestra pit. Through the swathes of smoke beneath the ceiling an unfamiliar figure comes floating down. Di morte l'angelo a noi s'appressa."
- W.G.Sebald, from Vertigo (cheers Neil)
Tuesday, 9 October 2012
Thursday, 27 September 2012
Wednesday, 22 August 2012
NOT GORDIAN
TO THINK that the mouth opens every time and never stops being a hole constantly filled with paralysed didactics and soft and hard objects going in or out/ but insists/ that the process of opening up in itself is a valuable historicism worthy of mention not as self-regard though as the flow of objects often begins with a limp blow that is almost exclusively external/ and begins and ends/ in itself like before before the conclusion also starts hinting towards stretching and bending into unremarked territories and start again as before as an unimportant action thought insignificant merely due to its natural design/ like all those catastrophes that never took place/ or the swapping of tropes just before midnight in somebody's deserted book/
Tuesday, 14 August 2012
YEAR OF THE BMW ISETTA 600 - MAN MüSSTE! - MOTORISIERT SEIN
at night you came and tucked me in/ the linen smelled of four kinds of lavender/ in the morning, on a plate/ you had prepared several [✚]/ and poured a glass of [✠✠✠]/ in school, all through the day/ we studied boredom and escape/ fantasied heightened states of boredom/ drowsy apparitions dressed in pastel aprons throwing many-colored confetti into a pond with great detachment/ we closed our eyes and listened to cars/ we named everything, karla, michael, günther, haus, bahn/ in the afternoons we hurried home to dinners and green jello/ naming every house on the way [♜]/ later in the evening we would sit around the open window/ and wait for the meteor to happen/ wait for mum to open the umbrella indoors so that the singing would begin/ the little hint of a moon being created/ just before the day ended/ in [✈✈✈]/ and the metal twisting the little babies to sleep/
Thursday, 9 August 2012
READ THE INSIDE OF MY LIPS
Wednesday, 8 August 2012
Wednesday, 1 August 2012
NDRSTNDNG NTHNGNSS AS BRDM
un-accidental/ bugs are self-injecting poisonous retorts/ leaving their shells to dry in the sun/ self-hypnotised/ then hoovered into space/ by the single breath of a stealth god/ bug god/ trying to exit itself too/ by re-entering a surprising entity/ causing a stir/ by mere apparition/ then blaming other forces, saying:/ i burn without guilt/ oh yes, the first movement was mine/ but when we danced you insisted on taking the lead/
Friday, 13 July 2012
Tuesday, 10 July 2012
ONLY CENTURIES AWAY:
Friday, 22 June 2012
KILL THE BODY THE HEAD WILL DIE
Wednesday, 30 May 2012
throwing her hair/ so that it blankets her cold breasts/ she rests a worn leather purse on her surrendered hips/
it is mannheim by speed of light/ and time is taking a taxi home/ playing tracks 1-12/ from "verschiedene hits"/ on a broken reel to reel dome/
Friday, 11 May 2012
HALFWAY THERE POEM
i searched again/ half-remembering for what/ half-searching for what i half-remembered/ not knowing if i half-knew where i was/ or if that other part of remembrance/ that is not half-forgotten/ can be half-remembered too/ i know little more/ than the little i have known all along/ that whatever i search for/ will only be half-known too/ a lifespan was spent on this/ strutting a rubber chest/ being half-tickled by half-loving fingers/ half sent to sleep by touches half sleep inducing/ most often a face behind the touch/ and a mouth/ opening, spitting and gargling/ in bathrooms long since darkened/ celebratory gestures then perhaps/ performed by a group of dismembered beings/ proud stubs performing tricks/ maybe not for want of pennies/ but more so for being more than half-remembered/ most often some parting favors in the halls/ phantom limbs to hold and hit/ phantom shouts and phantom spit/
Monday, 30 April 2012
Monday, 9 April 2012
Gas station. Man in long overcoat. Rotating advertisements. Candy wrappers taking the place of non-existent gas station tumbleweeds. A second man in long overcoat tries to enter through the now decommissioned sliding doors, remains immobile outside, not pacing. First man in overcoat turns, reveals an object, presumably a shotgun or a bouquet of flowers. «Schadenfreude.» They both speculate on this failing sense of recognition. The sausages grow cold. Wasn't there a woman? An attendant? Someone shouts from either inside or outside the gas station: «Tristan da Cunha!» One of the men turns around. One of the men turns turns around. There is the sound of a large bell. And water flushing. Traffic. Tornadoes. Just before opening hours.
Monday, 2 April 2012

Spring is an enforcement of well-being. Crude, unrefined wellness shoots out like clogged marbles from a high-powered water hose, spurting out in beautiful black and white only to crown it's trajectory with rude rainbows of crystalline colors. Houses, so happily lived in through winter, are abandoned to the grey interior of their plattenbauch, slowly turning cannibalistic with corroding(Origin: 1350–1400; Middle English < Middle French < Latin corrōdere, to gnaw to pieces, equivalent to cor- cor- + rōdere to gnaw; akin to rodent) slow-motion frenzy. Flowers are catapulted out of dog piss sanctuaries. Grass returns to cover it's own grave. Out of shame perhaps, trees slip into insect-ridden night gowns. The skies once more spread their legs onto the infinity of a universal black pussy.
Then people,
Tuesday, 7 February 2012

how about that time, that other place
a time we didn't know
a time in which we wasted time we didn't have
on streets not yet invented
or named
after state leaders that had yet to die
that city, a book
see it while away on yellowing paper
untrained in the art of flaunting it's pages
to the flirtacious eyes of a reader
desperate
to be persuaded into an affair
the libraries go hungry
the same libraries
we trained in verse
they lend their arms to the sick
and desireless
against an annuity
consisting only of parts of their non-longing
lions without lion tamers
and no knowledge
of how to go wild
jennie, the vanishing elephant
resurfaces at the far end of sonnenallee
replacing a gasping audience in the hippodrome
with a complacent pack of eurotravelers
outside the estrel hotel
grasping a disparate selection of german beers
with one hand
and applying the second for applause
the diary entries from that day all read:
«dear diary, we won»
Tuesday, 31 January 2012

what to say, really, when you're thinking about what to say
as someone enters, forcing the question:
«what to say»
i say i am happy, but don't know that i am happy
i say i understand, but don't know if i understand
i say i am puzzled, and i know i am puzzled, because no one who is not puzzled would be able to write:
«i say i am puzzled»
there must be a dungeon in my body, or a dungeon in what i claim to be my body
i know little of my heart
I know little of the mythology to which it belongs, physical or metaphysical
from the hands of a ten year old with a crayon it looks a certain way
from the hands of a coroner, carefully placing it in a plastic container filled with ice, it looks a certain way
i have learned to accept both
my heart has two dimensions
my brain invariably looks the same
never sketched or aesthetically mutilated on the walls of a red bike shed, where some unclassifiable characters are ceaselessly drawing blood, kissing, or finding individual ways of accepting the torment of not being able to not be able to smoke cigarettes, correctly
«now i smoke cigarettes correctly»
can i say that
you make me think of a time when i knew i was beautiful, like flowers are beautiful, and also handsome, but not like flowers are handsome
i want to write you something beautiful, but i barely know you
how can you write something beautiful to someone you barely know
should i base it on how i feel
i write
«i feel heavenly»
does that make you feel beautiful
the way i want you to feel beautiful
does my effort in making you feel beautiful, make me beautiful, like handsome men are beautiful, before they turn into flowers by their own design, corporeal confusion wrapped in delicate paper
would you say
«you are beautiful»
the same way i would say
«you are beautiful»
and, it being said, will we turn beautiful, as in
«we are beautiful»
the pair of us, wondering what to say next, thinking we must already have said it
all
not being able, or willing, to bring it outside this immanent vortex of brilliantly timeless unification
we proceed to write on ourselves, with rainbow-colored fingertips, writing multitudes of stories, newly ancient scrolls that go splendidly unnoticed
only later observed as typhoonic shots of joy on an amazingly changing sky
within each freckle, tales of dynasties
south of a scar, the intimacy of a hundred years of togetherness
then drawing
carefully crafted lines with paleolithic efficency, cumbersome, yet classy curves, filling every single unoccupied stretch of skin with spellbinding marvels, proudly showcasing the improbability of a lover and a lover, and their love, looking something like a tablet found on a holy mountain
over and over
and surprisingly
on the wall of an inhabited or uninhabited cave
us then
depicted as two buffalos asleep on a hot stone
Wednesday, 18 January 2012

we make our way home
after the storm
and talk to our families
on a multitude of singing cell phones
explain
how late we are
and how many hours we spent waiting
at the railroad stations in Skövde
or Hallsberg
for the trains to run as normal
we talk about the power outage on boxing day
how many hours it lasted
and how much fun we had
looking for matches and candles
and how we then chatted for hours
until our flickering faces made us drowsy
and that there was something there
tugging at us
pulling at someone in us
we didn't remember or recognise
someone rising east of a non-descript childhood
into a calendar year
marked with sticky crayons
on a chequered almanac
we miss you so much we say
and elaborate on how wonderful it will be
to be home again
that we didn't fully realise before
but get it now
and that we are coming to be with you
for forever
we think
in the conversational pauses
where we look out the windows
on trees speeding past in snowless greens
with the sun skipping bravely
over all the low branches
in the pauses
where the childs laughter fill the carriage
from having successfully drawn a turtle





















