Monday, 20 May 2013


LEGIINTIMES

dead swan makes sidewalk cry    tourists skip step     on bridge of legions    step on    asking how to contact authorities    which authorities    bureau of animal waste    public welfare offices    board of tourism    anyone have a phone    a phone    anyone    a phone    picture snaps    mummy look    look    coiled neck resemble letter 's'    resentment    disgrace    or helplessness    concealed in picturesque beauty    wings gracing belly in final flight composition    with decomposition imminent    long before the fading of digital reproduction    swept upon heavy shore of digital noise    the grey    classified in countless banks of identical grey    strip follows strip    first body is severed    next strip of perfect grey scaffolding wings    soot from traffic    asphalt particles    working on additional palette of grey    adding grey to grey    wings undergo dreary makeover    twisted neck like twisted letter    not close to meaning    flesh soon trampled into non-existence    body escapes alphabet    whole dramatic display defused    resemble resilient pile of snow    worn down and discolored by steady waves of traffic    pile of deconstructed waste and carnage    slow to accept its demise

Friday, 3 May 2013



ROAD SIDE SHOW REEL


this car crash threatens to recreate all that which was exterminated at the end of the speculum/ for the sake of it: move opposition towards agreement/ define causes relevant to extermination/ define your gutted ghost/ fluttering among hashtags in digital syllables/ ultimately ordaining innocent bystanders in non-lofty ceremonies/ all this to and the coming there of/ the from/ the undulating gasp of going through/ the passage of adept skeletons/ savvy remains/ moustache and fingernail/ silenced only from never being silenced at all/ stunned into absolutism from always being right and never being right again/ the longing to be part of jolly jolly reckoning/ the eye thing, we stare, and ask only to know who stares back/ not accepting no for no answer/ the comfy comfort of flesh removed from nature of flesh/ reconstitution of relatives and friendly strangers/ innocent bystanders, still innocent, only with nature of innocence disturbed/ trapped like bed bug dreaming of clean rug - look out kid!/ this car crash will make you think/ stop to consider and look/ not for that which precipitates pain/ rather that which making you aware of that which precipitates pain/ prolonging the notion of being an experiment/ one beginning rather than one ending/
barbiturated or not
barbwired band-aid blood clot knots
bandstand sour crow or dixie ocelot
baffled statements in kurt russeled courts of shame
bags of chips with oil for dips ancient hips
bullfrogs chanting on continental slips
bagging the tea-ladys psilocybin lips
backstabbing beehives and knee jives
balaklava whale jerks
basky sharky laugh hurts
this car crash will not make you jitter/ not keep you off twitter/ multiply your genoms de guerre while monochrome birds chirp and flutter/ crossfire baby chords make utter nutter rebirth for melodrama stanzas/ this car crash gives you all the time in the world/ reveals significance of gangbang beauty in single droplet/ lets manifold gasket pyrotechnic regeneration unfold/ puts planetary bukkake on hold/ hell to the wheel/ hell to fire/ infinite mess/ conspire expire wire/ this car crash makes you wonder whether I will be there/ to make up for all the times I was not/ to not be about bodies anymore/ (un)embrace the something new/ find what will be rejected by rodents/ adored by cancerous machines/ the relationship that will have to begin anew/ in the light of nothing i give you nothing that persists/ you are not gone/ this car crash makes you feel alive/ makes spirit wane and splinter on the dashboard/ be reassembled in languid language of deflated carcass' cry/ love longing desire reinstated in look of surprise/ hung upon the face of a moldowian long transport-driver's/ snow flakes dressing eyebrow/ this car crash makes you feel like you have something to say/ a ripple spreading on the black pond of internal dialectics/ without the throw of a stone/ the first movement made from peace/ a stationary wave set in motion/ finally trying your hand at outspoken mortality/ this car crash makes you feel safe/ makes unsplit hairs strut when chafed/ dual airbag sculptural release/ feel like far away from far away from home/ prepares you to enter the dome/ holds you in last hindenburgian embrace/ sets your fluids on fire/ this car crash leaves you undead/ makes you feel loved/ suspends your aptitude for rebirths/ turning bones into trombones for swan song/ makes you kiss and love the face of obliteration/ notice and appreciate the granular shifts in the body/ display all unseen extremeties in last pictureshow/ capable of battle call first and last/ resounding and dissolving in roadside vortex of birches/ separated then from unclaimed legacy/ it makes you eulogise and praise/ this voice that sang but once and left a shining upholstery/ to whoever is listening at receiving end of roadside emergency telephone apparatus/

Friday, 19 April 2013


F I N I S H I S H T

nudge and nuzzle
leaves us here
a shoe or two
spread out like mildew
belt buckle gleaming
and cat's reflection
in a couple of cd's

••••

the I-do-not
of restraint
the finger
in a bowl of laughs
corresponding to
my hair
leaving the body
out of boredom

Sunday, 14 April 2013


GOGOL'S PACE

com ye bat herds
fail dexript
in anna's log
and tranny scriptures

from peter's corps
gangbang roars
screw the nice
echo this tic
echo man tricks

la naglemerke
lange reklame
lage armlenke
ea gen makrell
klamre lagene
egen karamell
anal mekler ge
lage kreml ane
anmerke galle
alle ga kemner
kamera gnelle
merke gal alen
la kremlagene
ale markengel
emne karl egal
mark legalene
kram elg alene
l karmageleen
mele anklager
gamle karelen
kelner la gema
le magne rakel
klare gemalen
klare egne lam
men elg kerala
kaller meg ane
reke lama negl
male genlerka
klarla gemene
la lemenkrage
rakne meg alle
alle meg anker
la megla renke
en lam elgrake
gamle aker len
arkal mengele

Tuesday, 2 April 2013


RAMBO READS RIMBAUD

do not ask me to describe/ the ambience of a cramped compartment at 05:47 in the morning/ somewhere between Tbilisi and Batumi/ ears pricked to surprising cosmogonies/ across me/ from opposite top bunk/ hand extends into and finds rest in the unmeasured centre of room/ silver duckling laughing perhaps/ underneath, a professor in physics from university of Tbilisi reads prayer written on tiny piece of folded paper/ rocking back and forth/ husband, the journalist, sleeping/ drawing blessed breath from hole in throat/ and coughing into tiny napkin clenched in fist/ do not ask me to describe the taste of Kakhetian wine shared yesterday/ or sound of humming baby crying tracks clanking creaking doors station calls/ what can be said/ other than that they are starting to sound like noises from back home/ that wine makes lake in heart/ to swim in boy man old fart/  

Tuesday, 26 March 2013


AWE RIGHT THEN

do not ask me to shortcircuit the past/ turn galloping hordes of Genghis Khan in the year 1239/ into the scattering hum of a semitrailer slowing down before a herd of farm animals/ to turn the buzzing of a gas tank being refilled in the back of a Mitsubishi Pajero into pillow talk of couple going to sleep on stone ledge in the year 348/ do not ask me to foolproof everything that which is not necessarily there/ it is already being taken care of by a pack of lizards resting on a slab/ taking care of the primeval: stones suns water sex/ reminiscing the humanoid scaling its first piece of rock/ immediately conceptualising every aspect of existence: hunger cold lust pain/ making it possible to enter a paleolithic restaurant in Berlin in the year 2012/ and order unprepared food for 25 euro/ later go home and starve freeze fight hurt/ 

Wednesday, 13 March 2013


LOPSIDING THEE TRAJECTORY

do not ask me to structure/ another hierarchy of gods/ now that we have decommisioned the old ones/ strangled them with desire in rooms half remembered/ successfully fixed outside documented actions and time/ only the godking's eye saved as a talisman/ your pierced navel/ you are marie and margot/ you drink the crushed bones of the deities/ mixed with blood and milk/ at lunch time between social science and gym class/ you ring the bell of hard times and conversations/ you force the second and third coming of dust/ do not ask me to enter the auditorium where they slaughtered the light/ where shadows are evacuated with a whimper/ leaving smooth hides/ incapable of love worship prayer knowledge/ 

Friday, 1 March 2013


onassis on acid in åna sira

evening out odds/ clearing out ends

untrue registers/ no turns or bends

molten dashboards/ comic's relief

integrated source of fire/ comic grief

the first lie is true or never told/
the second lie is warm if the first is cold/ 
a callous animal begins to shine/ 
after having reached its prime/

bonfire/
empire/

titgrit/

Thursday, 21 February 2013


HALLUCINATING REPAIR

turn first section of contract of employment into song of prayer/ tinker with idols not belonging to formal agreement/ not described with monumental absence in church of rock/ little shouts soon tamed/ overpowered in turn by limping echo/ toss abhorrent idolatry in return/ ask not to be counted/ numbered in dire taxonomy/ eulogised/ instead little eggs will trickle down from the summit/ crashing omelets now guaranteed/ little wings slither to and fro/ dip and plummet into useless states/ unregistered by trying/failing angels/ the unemployable/ avoiding cycles of unfit adoration/ counting too number of hours wasted on praise/ the magi/ unfit to scale a mountain/ maintains silent pose in elongated fantasy/ aspects of truth beckons few/

Tuesday, 5 February 2013


SPIRIT DISMEMBERED

hear me lord/ i am bored/ confidence restored/ hear me jesus/ please please us/ drink my rhesus/ hear me ghost/ bore me most/ more toast/ hear me adam/ down in sodom/ or down with saddam/ hear me eve/ dearest peeve/ hid in sleeve/ hear me judas/ full of buddhas/ never rue us/ hear me odin/ serotonin/ dirty clothing/ hear me spirits/ endless digits/ faultless misfits/ hear me christ/ useless fights/ steel and tights/ hear me saviour hear me saviour hear me saviour/ hear my essence/ effervescence/ stinking presents/ 

Monday, 4 February 2013


VARIOUS DEPOSITIONS

just because/ i hear animals wheezing
in the saxophone of your skeleton
i am not entitled to a song

maybe if i stood up/ the dust
would start singing/ or applauding
before i shamefully/ puncture
my kneecaps/ and retreat
counting the steps backwards/ to desist
in a cave/ you have made of closed eyes
and veins/ stretching into the invisible

you/ leering out of a pit/ with gem eyes/ flaunting an unexcavated chest/ staring with scrutiny/ at something closing/ wherein an object/ a silver coin/ plummets towards the floor of an irrelevant ocean/ pool/

commanding:/ stay in the glass/
there is nothing to see/ outside/
only remains/ of abandoned glass/

sit

in a word

standing up

listen to pessimists/ saying
all has been said/ by other
pessimists

you who have hair/ and other human features/ be thankful 
if the forest/ gets there ahead of you/ have sticks and branches point/ instead of your fingers/ if trees know more than you/ be thankful/ if necessary/ be more than human/ like the mountain within you/ everything
can be left unspoken

Friday, 25 January 2013


EGOLALIA

hundred days might have passed. hundred days since last opposing blank page. filling with awe and disgust. hundred days of what happened. hundred days of what if anything. filling with nothing and anything. hundred days of promises followed by hundred days of promises. filling with god knows what: continuation of promises, exchanging of currencies. street lights and light fails differentiation, windows and vision too. undecidedly different. light will influence him in hundred days to follow. filling with doubts regarding natural progression, thinking himself chosen one more time. hundred days of natural progression progressing towards artificial consistency. hundred days of artificiality to counteract natural balance. filling with force and goals. hundred days of no show. 

Tuesday, 22 January 2013



OBSERV

you want to change everything in one go
you pay 199 euro 99 cents/ outside
a man wearing a jacket adorned by two wolves howling at the moon/ is smoking two cigarettes at once/ a couple
observes you as you pay/ he
is wearing dark ray bans/ he is possibly writing poetry/ she
is wearing a hat that makes you think of john lennon/ and
is possibly smarter than him/ your
exercise bike barely fits into the shopping cart/ it
is unlikely to fit into a poem/ outside
the man extinguishes both cigarettes under the heel of a shoe you failed to discern/ shortly
after you pass him by/ the
trunk of your car is frozen shut/ it
only opens upon insistence/ you
strap down the exercise bike and drive
off/ you
think of words/ like

girl

girlfriend

woman

wife

sex

fun

family

kids

words/no 
images


Tuesday, 15 January 2013


MEMORIES OF A PERFECT GENTLEMAN

a door is opened/ but that's not it/ no/ rather/ a door is closed/ but that's not it/ either/ no/ rather/ a window is shut/ feet are healed/ tongue peeled and sliced//

edible mythologies digested/ lips/ moistened shut by phantom muscle/ the syntactic pried open/ "imagining him"/ "we might have met on bullet train between paris and marseille"//

it had already begun with air/ breathmade addicts/ awaiting sinister revolutions/ changes in illogical system fabric/ ink blot chasing pattern in translucent bloodstream//

a door is held open/ the cat flap of perception/ no/ rather/ the elevator of rationality/ "she arrives without presents"/ to a jester's court room/ and the king awakens/ with pointless erection/ 

Monday, 7 January 2013


RAMPACHE

a sense of beauty left, not to be contested. who had carried hide of lion to top of mountain shall rightfully witness mountain lion transformation. who had dragged sea lion back into ocean belly shall rightfully witness trained eternii stare of nature's costumed operators.

howls of pacific never heard

in

between rolling complaints of black and caspian sea, corrugated concerns transported on bullet train between baku and batumi, dispatched gushes of wind targeting

displaced regiments still fighting battles lost

in

sochi sukhumi gori lagodekhi, beauty left as promises; historical relativism washing up footnotes on next weeks beaches. beauty left as nature imago; droplet frozen in wool of lamb. beauty left as commodity; purchase at daybreak, bucket full of berries offered by inchanteuse singing old tongue.

lamenting brown paper bag poet failing reappearance

in

garagem bridging uplistikhe and borjomi, clear spring water speaking soft rock, exploded mountain over pastures glens and luscious riverbeds pregnant with juice for machinery.
witnessing image of 1800 year old princess fixed onto decommissioned apparatus in pawn shop back room left side. time corridor cordoned off, ghosts of men talking too much chalked up on rustaveli avenue. witnessing borders beginning in you, ponder jurisdiction, choose a stall in encirclement of toilets at trainstation in zugdidi; one part of you remembering pompeii, another formulating prayer

wanting the rest to be covered in ashes too

 RIEN BODY

when adrien brody enters a room in the movie 'detachment', he is entering a room he has already left. his life must not take place. his body can not be allowed to materialise. the bath tub will stay empty and clean, holding no traces of the dirt rings left by his soul when he emerges to dry of his non-body, applying deodorant to his angelic, yet fictitious, armpits, feeling the need to shave the face that is not there. the blank mirror surface shows nothing but the congealed constellations of tooth-paste spit.
adrien brody is eaten by the calmest of sorrows: the certainty that his life is beaten mercilessly into nothingness, that his efforts add little to it except the ceaseless gratification of terminal rejection and disappointment.
the abyss does not stare back at him. it fails to care.
for adrien brody there is nothing to be gained from compassion, as there are no mirroring agents which his compassion can be perceived within. it is thrown into nothingness and can only echo that nothingness, endlessly, in hollow cycles.

there is nothing to learn.

there is only the perpetuation of hate and loneliness. there will be no future. the sun will abandon a planet that have long since abandoned it. the comets dart into a pool of indifference, underappreciated by a chorus of shrugged shoulders, rolling eyes.

there is no love, only rape.

yet adrien brody knows, that even though he cannot save himself, he is not powerless to sacrifice himself for another. even now, in the most fractured moment of his non-existence, there is the off chance that someone can see him, and perceive his light, inexplicably, as shining a little bit brighter than their own.
life through sacrifice. it is his last chance. it is their last hope.

when adrien brody exits a room in the movie 'detachment', he does so in the contained warmth of a body that wasn't his to begin with.

all is not lost in sensitivity. 

Sunday, 30 December 2012



ANTIPOPE

like many times before sound of churchbells is wringed into bomber airplane softest murmur majestically circling mossy snare constituting river Saar early afternoon last century or in Belarus same time but later thirty years in movie Idi i Smotri by Elem Klimov where boy digs for dead rifles by Lake Lukomlskaye hides behind knoll as sound of never heard before break silence of death perpetuation and landscape rape machine eyes peering through sandy lids onto apparition certainly not jewish Messiah look the dress split in half above knees she floats with great abandon

Saturday, 29 December 2012


TOWARDS REGRESSION

the head began laughing.
the laughter cornered smile.
face set on revenge.
foretold labia requested pretext.
sweat communicated guided weeping.
hair rejected several ideologies.
scalp began the process.  

Sunday, 16 December 2012


SANS SCRIPT

in the future/ the weeping/ will be performed digitally/ 

by contractors of grief/ installed

at our digital tombs/ to the waxing
discomfort/

of our interactive
corpses/ 

Saturday, 15 December 2012


[AUTO] AIR

the destruction of memory/ the auto-destruction of memory/ the auto-destruction of auto-memory/ the auto-destruction self of auto-memory/ the auto-destruction self-destruction of auto-memory/ the auto-destruction self-destruction self of auto-memory/ the auto-destruction self-destruction destruction-self of auto-memory/

Friday, 14 December 2012



John Ashbery's "Houseboat Days" - first-sentence-only lazy appropriation artist edition.


1. one died, and the soul was wrenched out of the other in life, who, walking the streets wrapped in an identity like a coat, sees on and on the same corners, volumetrics, shadows under trees.

2. they all came, some wore sentiments emblazoned on t-shirts, proclaiming the lateness of the hour, and indeed the sun slanted its rays through branches of norfolk island pine as though politely clearing its throat.

3. sometimes a word would start it, like hands and feet, sun and gloves.

4. you can have whatever you want.

5. the tests are good.

6. out here on cottage grove it matters.

7. the tires slowly came to a rubbery stop

8. there is no reason for the surcharge to bother you.

9. she liked the blue drapes.

10. the luxury of now is that the cancelled gala has been put back in.

11. you thought it was wrong.

12. the disquieting muses again: what are "leftovers"?

13. it's this crazy weather we've been having: falling foward one minute, lying down the next among the loose grasses and soft, white, nameless flowers.

14. at the sign "fred muffin's antiques" they turned off the road into a narrow lane lined with shabby houses.

15. a little girl with scarlet enameles fingernails asks me what time it is - evidently that's a toy wristwatch she's wearing, for fun.

16. for a long time i used to get up early.

17. the conception is interesting: to see, as though reflected in streaming windowpanes, the look of others through their own eyes.

18. some departure from the norm will occur as time grows more open about it.

19. something strange is creeping across me.

20. the code-name losses and contemplations float in and around us through the window.

21. like an object whose loss has begun to be felt though not yet noticed, your pulsar signals to the present death.

22. the lace of spoken breathing fades quite quickly, becomes something it has no part in, the chairs and the mugs used by the new young tenants, whose glance is elsewhere.

23. the skin is broken.

24. all through the fifties and sixties the land tilted toward the bowl of life.

25. for the disciple nothing had changed.

26. a sudden, acrid smell of roses, and the urchin turns away, tears level in the eyes.

27. you can't say it that way anymore.

28. the medieval town, with frieze of boy scouts from nagoya?

29. and others, vaguer presences are built out of the meshing of life and space at the point where we are wholly revealed in the lozenge-shaped openings.

30. i teach in a high school and see the nurses in some of the hospitals, and if all teachers are like that maybe i can give you a buzz some day, maybe we can get together for lunch or coffee or something?

31. the kinds of thing are more important than the individual thing, though the specific is supremely interesting.

32. i saw a cottage in the sky.

33. to you my friend who was in this street once were on it getting in with it getting on with it though only passing by a smell of hamburgers that day an old mattress and a box spring as it darkened filling the empty rumble of a street in decay.

34. although i mean it, and project the meaning as hard as i can into its brushed-metal surface, it cannot, in this deteriorating climate, pick up where i leave off.

35. like a serpent among roses, like an asp among withered thornapples i coil to and at you.

36. long ago was the then beginning to seem like now as now is but the setting out on a new but still undefined way.

37. the buildings, piled so casually behind each other, are "suggestions which, while only suggestions, we hope you will take seriously."

38. orpheus liked the glad personal quality of the things beneath the sky.

39. be it right or wrong, these men among others in the park, all those years in the cold, are a plain kind of thing: bands of acanthus and figpeckers. 

Thursday, 13 December 2012


FEEDBACK LOUNGE/GENERATING CONSTRAINT

not unlike a spruce/ standing alone/ unable to collect/ the feedback/ of another spruce/ that stands alone/ unable/ to collect the feedback/ of another spruce/ that stands alone/ not unlike you/ at the end of a long queue of christmas shoppers in Primark/ clutching worthless scarves and cardigans/ gathered in a timely frenzy/ an anomaly/ it was later contested/ that prevented any of them/ from collecting your feedback/ not to say/ at all recognise you/ as another integral system/ 

And running this through the N+7 constraint machine one ends up with this result:

not unlike a spruce/ starch alone/ unable to collect/ the feedback/ of another spruce/ that stands alone/ unable/ to collect the feedback/ of another spruce/ that stands alone/ not unlike you/ at the enema of a long quill of chump shorties in Primark/ clutching worthless scarves and cardigans/ gathered in a timely frenzy/ an anomaly/ it was later contested/ that prevented any of them/ from collecting your feedback/ not to say/ at all recognise you/ as another integral system/

Disappointing. Although 

"at the enema of a long quill of chump shorties in Primark"

pretends to sound pretty good. Thankfully it only gets better further down the line:

n+8:

"at the enemy of a long quilt of chunk shorties in Primark"

n+9:

"at the energy of a long quin of church shots in Primark"

n+10:

"at the enforcement of a long quince of churchgoer shotguns in Primark"

n+11:

"at the engagement of a long quintet of churchman shoulders in Primark"

n+12:

"at the engine of a long quintuplet of churchwarden shovels in Primark"

n+13:

"at the engineer of a long quip of churchyard shovelfuls in Primark"

n+14:

"at the engineering of a long quirk of churn showcases in Primark" 

n+15:

"at the englishman of a long quisling of chute showdowns in Primark"

All in all not all I hoped for when I engaged to waste 20 minutes on this thing. But inserting the entirety of the previous entry on HPS though, generated a few worthwhile results:

n+7:

"now that your patricide was spent/ you asked me to enter another one of your rooms/ where ridiculously small persian carts lay strewn on torch of each other to coward up a partisan of the flotation that was made for a single, bigger carpet/ a telling designed as a white elk rested on an overcharge corona table/ "is this where the otherness begins"/ it read on a white baptism that levitated poorly above a doorway/ the new pressure/ the new sensitivity/ predatory silt hung like a preference in the room/ was it possible that as we now no longer needed timpanist for each other, were in need of more spaniel, for each other/ equal to the amplifier of timpanist surrendered/ 

i had accepted your iron blindly and found myself in your room/ it must have been just nosey-parker of the belly/ and for a money there, i got to dovetail whether all timpanist in rear belonged to you/ as we now no longer would have timpanist for each other/ actually would not have your timpanist, for us/ that my concerto of timpanist would be stored somewhere else/ as the timpanist of the guest/ the ridiculously tardy/ in yet another rosary in you/ in some verge of the brandish that could be reached only by dispatch/ or telephoned, if you lifted off the elk's right twang and sponsorship 
into the cavity/ 
quite similar to how you would call up neighboring taboos in nightlight clutters not long ago/ asking someone there to daredevil with you, driver with you or something else that fitted the moorland and occasion/ maybe it was like this again then/ that i would have to call you/ from a rosary within you/ to fillet out where we were supposed to go next/ fillet out whether or not you were thirsty/ and whether you rumba or rogue'n'roll/"

n+15:

"now that your pattern was spent/ you asked me to enter another one of your rooms/ where ridiculously small persian cartridges lay strewn on tortilla of each other to coyote up a parvenu of the flowerbed that was made for a single, bigger carpet/ a tempo designed as a white embarrassment rested on an overhead corpse table/ "is this where the otherness begins"/ it read on a white bard that levitated poorly above a doorway/ the new pressure/ the new sensitivity/ predatory simulation hung like a premiere in the room/ was it possible that as we now no longer needed tinkle for each other, were in need of more spasm, for each other/ equal to the analgesic of tinkle surrendered/ 

i had accepted your island blindly and found myself in your room/ it must have been just note of the belly/ and for a monocle there, i got to downturn whether all tinkle in rebellion belonged to you/ as we now no longer would have tinkle for each other/ actually would not have your tinkle, for us/ that my concordance of tinkle would be stored somewhere else/ as the tinkle of the guest/ the ridiculously tardy/ in yet another rotor in you/ in some vertebra of the brawl that could be reached only by dispatch/ or telephoned, if you lifted off the embarrassment's right twin-set and sporran 
into the cavity/ 
quite similar to how you would call up neighboring tails in nipper coalitions not long ago/ asking someone there to dartboard with you, drop with you or something else that fitted the morass and occasion/ maybe it was like this again then/ that i would have to call you/ from a rotor within you/ to finalist out where we were supposed to go next/ finalist out whether or not you were thirsty/ and whether you rumba or rondo'n'roll/"

Find the N+7 constraint machine here:

http://www.spoonbill.org/n+7/


Tuesday, 4 December 2012


OKLARA REGENBOGAR

now that your patience was spent/ you asked me to enter another one of your rooms/ where ridiculously small persian carpets lay strewn on top of each other to cover up a part of the floor that was made for a single, bigger carpet/ a telephone designed as a white elephant rested on an oval corner table/ "is this where the otherness begins"/ it read on a white banner that levitated poorly above a doorway/ the new pressure/ the new sensitivity/ predatory silence hung like a prediction in the room/ was it possible that as we now no longer needed time for each other, were in need of more space, for each other/ equal to the amount of time surrendered/

i had accepted your invitation blindly and found myself in your room/ it must have been just north of the belly/ and for a moment there, i got to doubt whether all time in reality belonged to you/ as we now no longer would have time for each other/ actually would not have your time, for us/ that my concept of time would be stored somewhere else/ as the time of the guest/ the ridiculously tardy/ in yet another room in you/ in some ventricle of the brain that could be reached only by dispatch/ or telephoned, if you lifted off the elephant's right tusk and spoke 
into the cavity/ 
quite similar to how you would call up neighboring tables in night clubs not long ago/ asking someone there to dance with you, drink with you or something else that fitted the mood and occasion/ maybe it was like this again then/ that i would have to call you/ from a room within you/ to figure out where we were supposed to go next/ figure out whether or not you were thirsty/ and whether you rumba or rock'n'roll/