Saturday, 18 June 2011


Scandinavellian

it drags on in skindergade/ old lullabies

and historic whispers/ all come together

it's night in the daytime/ and all

is let loose/ the cranes/ in frederiksberg

garden/ are jollypicking the quiet desperation

of a multitude of wheelchaired men

suddenly electrified by being subjected

to grace

water from boarded up kitchens

is instantly holified in the cup holders


two stories up/ in a house/ in another

part of town/ a silent prostitute

on creaking floorboards

returns to bed in amagerfälledvej

venetian blinds set with scotch tape

lightly adorns her persian rugs


in the universities/ students carry pillowcases

and heavy feathers/ into the dayful nighttime


haunted by vicissitudes of absent ghosts


in the city/ people stop inhabiting coffins


upscale graveyards are downscaled

into midscale real estate


kongens nytorv is up for grabs

but nobody knows


israels plads is given up

to a bilingual junkie


hc örsteds park is flooded by the city council

while the green grass/ of long forgotten

hunting grounds pushes through

sidewalks/ worn thin/ by the ambulance

of time


bicycles/ unknowingly/ jinglebelly in

the break of every dawn

in lustrous ouvertures/ the pavement

crack like glass/ at the feet

of the returning game

suddenly catapulted

into the highlights of contemporary obscurity


the fifth floors of nörrebro/ österbro

vesterbro/ frederiksberg/ valby/ vanlöse and

nordvest/ are no longer conquered

by her majestys regimented postal workers

they deliver their letters at home

to vary recipients/ sickened by this exaggerated

indulgence in correspondance/ and progress

and effort/ and the tiresome truth

that words carry on


from a dull microphone in griffenfeldtsgade

unplugged/ every syllable of every poem

from the beginning to the end

of the literary war/ is sung silently

as a hush

picked up only/ in a tower of prayer

discarded in a basement near mjölnerparken

and further out/ in klampenborg

in a heavily bejeweled tower of song/ that

bridges the precipice between two soggy mounds

it's bells hanging on the outside/ like tangents

for the deer and the rabbits

and the hedgehogs to cross and play on


the sparrows prepare their beaks

at blågårdsplads/ by rinsing them

in glimmering crescents of reappearing light


the seas manufature comforting whimpers

as the waters refract

their golden hibernation


the fish parade from nordhavn to sydhavn

to christianshavn/ like underwater unicorns

to umbillically undulate at kanin ø


so it is time again/ you realise

for knippelsbro to never/ and always

lower it's corrugated body into the

ultramarine slumber

of an innercity basin

for langebro to unite/ and reunite

the anemic brick houses of amager

with the anemic brick houses of the city

in a two-way blood transfusion


time/ you think/ to realise

that the bridges are not really burning

but are merely obscured

by the return of the sun

Wednesday, 15 June 2011


soria moria gloria mundi

on a silverlined norwegian fjord
from waters deep below/ beams a light
from a hundred fish
turning their bellies up towards the sun
the blinded fishermen speak of stories
a timeless chatter
that rises up through corridors
all bent and twisted from neglect

norway/ they all begin
soon those sagas will be forgotten
and there will only be the tales
inscribed on your oily skin

norway/ they all continue
you fell by the sword too easily
and now you complain
because you are drowning in paperwork

another kind of man
should come from this
one that rises with the sun every morning
and holds the mountains like a crown
above his naked head

the andes/ the alps/ the rocky mountains

all this stone that has happened
will happen again
these mountains are also rolling
into history carelessly
to never talk of events transpired

but like neruda/ they also ask

what will come after the blood in the streets

what will come after the blood in the streets